Cyber-Communism: The New Threat in the New Millennium :: social issues

Cyber-Communism: The New Threat in the New Millennium My expedition into cyber-communism began when I read Brock Meeks' "Hackers Stumble Toward Legitimacy"[1]. The article addressed a recent hackers' convention. Interestingly, the keynote speaker was Eric Boucher[2] (alias Jello Biafra[3]), a rock star with no technical background. Numerous questions ensue. Who is Eric Boucher (alias Jello Biafra)? What does he believe? More importantly, why schedule someone with no technical background to speak at a hackers' convention? Addressing his beliefs, his proposed Green Party platform[4] is not inconsistent with the "Manifesto of Libertarian Communism"[5]. This answer produces a more troubling question. Was his speech against corporate America mere socialist babbling or was his speech part of something more sinister, a subversive cyber-communist movement? I am not the first to see possible communist subversion of the digerati[6]. Corey Winesett's "Are Linux Users Really Communists?"[7] questions the nature of the relationship, if any, between open source and communism. Scott Billings' "Heresy and Communism"[8] ponders that the Linux community's knee-jerk reaction to negative opinions about Linux could be the result of being "under the [communists'] spell." Before I can evaluate cyber-communism's merits, I must define communism's true nature and communism's real threat to America. Communism Revisited Theoretical communism and practical communism have long been held as different political sociologies. Despite Marx's call for the working class to revolt, the communist revolution's leaders always ascend from the intelligentsia. John Stormer's "None Dare Call It Treason" supports this fact saying: "Fidel Castro was a product, not of the cane fields of Cuba, but of the halls of Havana University." "Joseph Stalin was not a simple peasant rebelling at the oppression of the Czar. He became a communist while studying for the priesthood in a Russian Orthodox seminary." "The membership of the first Communist spy ring uncovered in the U.S. Government was not spawned in the sweat shops of New York's lower east side or the tenant farms of the South. [The conspirators] came to high government posts from Harvard Law School." Communism's fallacy is the belief in everyone's benevolence; yet, human nature proves otherwise. Communism cannot create a perfect society with imperfect people. Hence, to direct Utopia, communism produces a totalitarian government over the less-perfect people, ruled by the perfect people - communists. Thus, communism's true nature creates a controlling government in the name of a better world. Not every supporter needs be a knowing conspirator.

How is Romeo’s growing love for Juliet shown in Romeo and Juliet Essay

There are many stages of love shown by Romeo in this play. At first he seems in pain but as the play goes on, he gradually realises his true love and starts to get happier. As I show in this essay Romeo adores Juliet and likens her to many things. Juliet returns this love as well, showing how happy they are in each other. In Act 1 Scene 1, Romeo is featured throughout, in his â€Å"pain of love.† Shakespeare describes many symptoms of how he is affected. It is shown as being painful and affecting him badly. On line 149 Montague – Romeo’s father – says that Romeo is â€Å"the bud bit by the envious worm† as if to say he has a bug inside him, slowing down his will do normal things by chewing away at his soul represented by a bud of a flower. At this point (Line 149), Montague and Benvolio (Romeo’s cousin) are still unsure as to what is causing his sadness by saying â€Å"We would as willingly give cure as know† (Line 154), meaning that they want to get him out of his sadness as well as know what is causing it. This is a statement backing-up what he earlier said on Line 136, when Montague says â€Å"And private in his chamber pens himself† – He stays in his bedroom and locks the door. This makes Romeo feel wretched. By locking himself in his room doesn’t help either, as this makes him feel worse. Another significant feature is the frequent references to life and death. For instance Romeo says, on line 200, â€Å"A sick man makes his will† to the end of line 202, being ill is mentioned at least twice. He says a â€Å"sick man,† which shows he is, in a sense, that he is not himself because he loves someone. Another point is that he says on line 187 â€Å"Doth add more grief.† The key word is grief, which is usually used with sorrow feelings and death. Something that appears briefly in one speech is the use of some oxymorons. They can be found in Romeo’s lines 173 – 180. A good example is â€Å"O heavy lightness.† This, if used in real context would not make sense as it a contradictory statement. This shows Romeo’s confusing as he is finding it hard that he cannot get the woman he wants and is frustrated with himself. There are further uses of oxymorons later in the play. In Act 3, Scene 2 around lines 75, there are several oxymorons, examples are â€Å"beautiful tyrant† (Line 75) and â€Å"dove-feathered raven† (Line 76). These are good examples as they show complete opposites and demonstrate what Juliet was feeling as she is torn between feeling for Romeo whilst feeling angry at him because of Tybalt. This shows some of the feelings people have to go through when experiencing love as they have to have important feelings. Images of problems of love are also picked up on. In Romeo’s speech around line 190, he says â€Å"Love is a smoke made with the fume of sighs.† This is saying that love is something that will poison you as it ends up with sighs. Shakespeare is making Romeo get out of his state of love and into his normal self. Romeo even says â€Å"I have lost myself.† He knows this isn’t like him and needs to snap out of it but Shakespeare cleverly gets Benvolio involved, so Romeo is forced to tell more, making it even harder for Romeo breakout of his frame of mind. Lastly Romeo and Benvolio mention love and blindness (and the eye) together. In Act 1 Scene 2, Benvolio says â€Å"Take thou some new infection to the eye.† This is saying that Benvolio wants Romeo to look at other women to stop him thinking about the one, who has been keeping him secluded. This line could also mean that Benvolio thinks Romeo has been blind in terms of looking at other women and that â€Å"a new infection† i.e. an infection means an illness that stops you from seeing, so love is a illness for Romeo. From here could be a turning point in two ways for Romeo. He could start being himself again or looking at other women could make him feel worse as he was in Act 1, Scene 1. Romeo would not want this because he may find it harder to get out of his miserable state a second time round. Also the audience may get impatient as they want to see Romeo progress, not rewind into his former conditions. We now start to see Romeo open up as he sees Juliet. This is now the beginning of him becoming happier. This is also the first time the audience see Juliet, in the eyes of Romeo, so is a crucial part of the play. When Romeo firsts sees Juliet, he is truly amazed, and this is shown clearly. In Act 1, Scene 5, Romeo likens her to a â€Å"rich jewel in an Ethiop’s ear† (Line 46). This is effective because it gives the audience an image of jewel, which is prominent in the first place, but to be an Ethiopian’s ear, makes it seem all the brighter. This shows that Juliet is already precious, and stood out to him immediately. Another idea to back this up is the use of the word â€Å"torches† shortly afterwards. This could also be interpreted as standing out from the other people. I think could also mean that she is his light. This shows contrast from earlier when it was dark to him. Religion is also used as a theme. On line 94, Romeo says â€Å"This holy shrine,† which could show that Romeo sees her now as his religion, or his light, as I said in the previous paragraph. He almost worships her and, the effect given is they are now lifting their love to sacred or purer ground, not just all the bits that people usually associate with love. It is still in the balance though as Juliet hasn’t spoken a word to Romeo yet, everything he has said proves how strong his love is. Another religious idea is â€Å"blushing pilgrims† used by Romeo on line 95. Pilgrims is used because it shows he is ready to make the journey of love with Juliet. The impression is that Romeo is waiting and that he wants to find the true meaning of his â€Å"religion.† Shakespeare uses pilgrims cleverly as he makes Romeo more romantic than if he put how Romeo felt bluntly. It makes the audience feel that he deserves Juliet. Romeo is skilful in the way he gets to kiss Juliet. As I said before he is not blunt. Instead he uses â€Å"saints† as his way of wooing Juliet. He is shown to the audience that he is a smooth charmer. He also talks of â€Å"sins,† this leads to him challenging Juliet and sort of be against what she should do. This is even more temptation and that is another way of how Romeo managed to get his kiss. Juliet responds by kissing him back, showing the audience that Romeo has been very clever indeed. She says â€Å"You kiss by the book.† This now shows that Juliet has given in and this is where their story starts and the part of the play speeds up a little. This is proven when Juliet finds out she is in love with a Montague, making it doubly interesting for the audience, so they start to get captivated. For Romeo, this is a complete contrast to how he was earlier in the Act. Earlier in the scene on line 53 he said â€Å"I ne’er saw true beauty till this night,† shows that he finally realised he was never in love, just desperate. From now we realise the full extent of Romeo’s love for Juliet. They both almost worship other and we see how much in Act 2. It is almost like they cannot be separated. In Act 2, Scene2, the audience knows for sure that Romeo’s love is now true, unlike in Act 1 and is happy. Romeo compares to Juliet and being bright throughout page 89. The most obvious example is on line 3 – â€Å"Juliet is the Sun.† This shows that he depends on her just as the Earth depends on the Sun. It gives the effect that he cannot live without her. This is backed from line 15 to line 20. A good example is on line 18 where Romeo says â€Å"The brightness of her cheek would shame those stars.† This shows his true affection for her as she shines out to him more than stars, or she shines out to him more than any other woman. Juliet responds to Romeo in the same sort of pattern, which is brightness. Words such as â€Å"bright angel† and heaven are used. I think Shakespeare did this to make sure the audience realised that things have definitely improved for Romeo and that he is now truly in love. Moving away from brightness, Juliet refers to him as â€Å"dear perfection,† this shows the feelings between them are shared. There are strong images used later on the Act. From line 80 to line 84, is a very strong image shown by Romeo. This means that Romeo would travel on a very risky journey to find her. This is again an example of how strong his love has grown for her. Throughout the Act there is a strong presence that Shakespeare is trying to show the contrast of Romeo in Act 1 and Act 2. In Act 1, we hear of Romeo moping saying he is in love, but in Act 2 we now hear he is in love but is lighter and more active than before. I think this is because in Act 1 Romeo could have thought he was in love but was not, so maybe his instinctive reaction was to sulk. Again these lines show a significant contrast to earlier when there were feelings of darkness. Romeo and Juliet are well and truly glued to each other by now. The love they have shown towards each other and is overwhelming. To them they will feel that nothing will tear them apart despite being Capulet and Montague. Their love will rise to unimaginable heights but the audience can tell that Shakespeare will add a cruel twist where something will happen to bring them apart.

How Does Human Activity Make The Greenhouse Effect Worse

The Greenhouse Effect How does human activity make the greenhouse effect worse? In now day, almost every country, every people talking about environmental protection problem. One of the biggest part affecting the environmental is greenhouse effect. And the greenhouse effect getting worse that the root cause is ourselves: human activity. In life, some of the small act we never pay attention for that, but that act may be one of the cause to make the greenhouse effect worse. Fist of all, fossil fuels can make energy to make our life easier, but it also affects climate change. In daily life, fossil fuels are helping us to improve our life. Fossil fuels are making the electric power for us, and let us can use lights, computers, and other electricity. On the road, fossil fuels make our car, motorcycle can run on the road. Therefor, fossil fuels can let us easy to get somewhere else. In the air, fossil fuels let the aircrafts can fly in the air, then to make the world closer that you don’t need to spend a month on the road when you travel to the other countries. On the other hand, fossil fuels formed need more then hundred thousand years by natural processes, and it’s limit sources on the earth (Fossil Fuel). Therefor, if we don’t keep planning to use them, in one day, all of the fossil fuels will be dead. If all of the fossil fuels run out, the earth’s land ice will melt, and the sea level will get increase. At that time, a lot o f coastal cities will flood by the ocean, and theShow MoreRelatedClimate Change : Human Activity1015 Words   |  5 PagesClimate Change: Human Activity is to Blame Climate change is an extremely serious threat because it affects every living thing on the planet. Climate change can have destructive effects like causing extreme weather events, ocean acidification and increasing global temperature. These are only few of the effects of climate change and if it continues can even cause the extinction of humanity. Much of the scientific community agrees that our use of fossil fuels is the cause and our continued dependencyRead MoreA Fallacy Or An Ugly Truth1435 Words   |  6 Pagesconsequence of human action is a fact that needs to be recognized, and recognized now. Global warming is a fact because weather has become more intense over time, a rise in sea level has occur and there has been a change in earth and water temperature. Global warming is a natural occurrence that has begun centuries ago. The dictionary defines global warming, â€Å"an increase in the earth s average atmospheric temperature that causes corresponding changes in climate and that may result from the greenhouse effectRead MoreEssay on Global Warming1245 Words   |  5 PagesGlobal Warming Our planets atmosphere traps energy just like a greenhouse. 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Some people feel that climate change is not a threat at all, but at the same time others feel that global warming is a huge threat to people andRead MoreGlobal Warming And The Green House Effect1608 Words   |  7 Pagesunsettling factor that consistently surfaces. Global warming or the green house effect,† specifically the field of atmospheric and oceanic temperatures rising caused by human activity, or anthropomorphic climate change. This idea in society was only a superstition, but scientists believe that this once fabled tale has turned into a reality because of our over production of carbon dioxide as well as other greenhouse gases . With dramatic spikes in the production of green house gases within the lastRead MoreClimate Change Impacts and Threats Essay1182 Words   |  5 Pagescome from humans and how we live day to day. Although many people have heard of climate change, there is not a big effort to fix this problem or to understand it. The best way to rectify this change to the environment is to help others recognize the causes of this problem and the effects they have on our planet. By researching, one can determine their impact on the climate, as well as how to reduce this effect. To understand how to fix global climate change, we must first understand how it startedRead MoreToxic Air Pollution : Today We Face A Major Threat1582 Words   |  7 PagesPeople polluting the air constantly get so blinded by their own greed that they do not tend to realize what they have created. Humans have the biggest contribution to global warming, and the dangers will only get worse if nothing gets done. Our various tox ic activities, such as working at power plants, drilling up natural gases and oil, and deforestation all emit greenhouse gases into the air, and because of these omissions large bodies of ice and oceans, the wildlife, and people s health will continue

Photography As An Art Form Essay - 2231 Words

There has been a long standing argument as to whether photography can be paralleled with traditional art forms such as painting, lithography, and sketching. The frame of reference of this research is the concept of photography as an art form. Through scholarly and practical research, I will compare different ideologies of how photography has been accepted and thought of since its invention, as well as visual examples of work that portray both photographic and artistic qualities. With the main question within this topic being can photography be considered art?, the objectives I seek to clarify are the grounds for which one defines art and for which one defines photography. Using a conceptual and practical framework to approach this research, I will compare various scholarly sources to reinterpret the existing ideologies of photography as an art form. This research partly falls under a practical approach, as it largely relies on my own creative experimentation with various mediums that combine both photography and art. This is crucially important, as it will take abstract concepts of photography as an art form and contextualize them into tangible experimentations for further analysis and interpretation. Within the conceptual analysis, I will use a visual analysis format to compare works from established artists that use photography in their pieces, as well as compare and contrast methods to establish a reinterpreted viewpoint on this subject matter. Within this framework, IShow MoreRelatedThe Creative Medium Art Form Of Photography1704 Words   |  7 Pages* With this in mind, I reside in the picturesque scenic province of Southern Ontario, Canada. 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The exhibition impressively manages to capture the development of art during the period in a way of which the disinterest of most is turned into intrigue and knowledge. The exhibition focuses on the relationship between painting and photography, the largely experimental period in which this developed

Dependent Personality Disorder Essay - 1184 Words

A Psychological Aspect of Susan Smith: Dependent Personality Disorder nbsp;nbsp;nbsp;nbsp;nbsp;On October 25, 1994, Susan Smith drowned her two sons, Michael and Alex, in the John D. Long Lake in Union County, South Carolina. For nine days she lied about knowing where the boys were. On November 3, she confessed to the killings and would soon go to trial. Susan’s defense team hired a psychiatrist to conduct a psychiatric evaluation of her. She was diagnosed as having dependent personality disorder. He described her as a person who â€Å"feels she can’t do anything on her own†. â€Å"She constantly needs affection and becomes terrified that she’ll be left alone† She was only depressed when she was alone. The psychiatrist studied her family†¦show more content†¦The relationships of individuals with dependent disorder are usually unbalanced. They tend to seek all-powerful helpers, or people they believe can protect them from feelings of loneliness. They may jump from relationship to relationship to avoid being alone. People with this disorder do not trust their own ability to make decisions, and feel that others have better ideas. They may be devastated by separation and loss, and they may go to great lengths, even suffering abuse, to stay in a relationship (Gillihan). 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The Vampire Diaries Dark Reunion Chapter Twelve Free Essays

Stefan heard a voice whisper, soft with pain, â€Å"Oh, no.† A voice that he’d never thought to hear again, that he would never forget. Ripples of chills poured over his skin, and he could feel a shaking start inside him. We will write a custom essay sample on The Vampire Diaries: Dark Reunion Chapter Twelve or any similar topic only for you Order Now He turned toward the voice, his attention fixing instantly, his mind almost shutting down because it couldn’t cope with so many sudden driving emotions at once. His eyes were blurred and could only discern a wash of radiance like a thousand candles. But it didn’t matter. He could feel her there. The same presence he had sensed the very first day he’d come to Fell’s Church, a golden white light that shone into his consciousness. Full of cool beauty and searing passion and vibrant life. Demanding that he move toward it, that he forget everything else. Elena. It was really Elena. Her presence pervaded him, filling him to his fingertips. All his hungry senses were fixed on that wash of luminance, searching for her. Needing her. Then she stepped out. She moved slowly, hesitantly. As if she could barely make herself do it. Stefan was caught in the same paralysis. Elena. He saw her every feature as if for the first time. The pale gold hair floating about her face and shoulders like a halo. The fair, flawless skin. The slender, supple body just now canted away from him, one hand raised in protest. â€Å"Stefan,† the whisper came, and it was her voice. Her voice saying his name. But there was such pain in it that he wanted to run to her, hold her, promise her that everything would be all right. â€Å"Stefan, please†¦ I can’t†¦Ã¢â‚¬  He could see her eyes now. The dark blue of lapis lazuli, flecked in this light with gold. Wide with pain and wet with unshed tears. It shredded his guts. â€Å"You don’t want to see me?† His voice was dry as dust. â€Å"I don’t want you to see me. Oh, Stefan, he can make anything happen. And he’ll find us. He’ll come here†¦Ã¢â‚¬  Relief and aching joy flooded through Stefan. He could scarcely concentrate on her words, and it didn’t matter. The way she said his name was enough. That â€Å"Oh, Stefan† told him everything he cared about. He moved toward her quietly, his own hand coming up to reach for hers. He saw the protesting shake of her head, saw that her lips were parted with her quickening breath. Up close, her skin had an inner glow, like a flame shining through translucent candle wax. Droplets of wetness were caught on her eyelashes like diamonds. Although she kept shaking her head, kept protesting, she did not move her hand away. Not even when his outspread fingers touched it, pressing against her cool fingertips as if they were on opposite sides of a pane of glass. He couldn’t think. His heart was threatening to come through his chest. Nothing mattered except that she was here, that they were here together. He didn’t notice the strange surroundings, didn’t care who might be watching. Slowly, so slowly, he closed his hand around hers, intertwining their fingers, the way they were meant to be. His other hand lifted to her face. Her eyes closed at the touch, her cheek leaning into it. He felt the moisture on his fingers and a laugh caught in his throat. Dream tears. But they were real, she was real. Elena. Sweetness pierced him. A pleasure so sharp it was a pain, just to stroke the tears away from her face with his thumb. All the frustrated tenderness of the last six months, all the emotion he’d kept locked in his heart that long, came cascading out, submerging him. Drowning both of them. It took such a little movement and then he was holding her. An angel in his arms, cool and thrilling with life and beauty. A being of flame and air. She shivered in his embrace; then, eyes still shut, put up her lips. There was nothing cool about the kiss. It struck sparks from Stefan’s nerves, melting and dissolving everything around it. He felt his control unraveling, the control he’d worked so hard to preserve since he’d lost her. Everything inside him was being jarred loose, all knots untied, all floodgates opened. He could feel his own tears as he held her to him, trying to fuse them into one flesh, one body. So that nothing could ever separate them again. They were both crying without breaking the kiss. Elena’s slender arms were around his neck now, every inch of her fitting to him as if she had never belonged anywhere else. He could taste the salt of her tears on his lips and it drenched him with sweetness. He knew, vaguely, that there was something else he should be thinking about. But the first electric touch of her cool skin had driven reason from his mind. They were in the center of a whirlwind of fire; the universe could explode or crumble or burn to ashes for all he cared, as long as he could keep her safe. But Elena was trembling. Not just from emotion, from the intensity that was making him dizzy and drunk with pleasure. From fear. He could feel it in her mind and he wanted to protect her, to shield her and to cherish her and to kill anything that dared frighten her. With something like a snarl he raised his face to look around. â€Å"What is it?† he said, hearing the predator’s rasp in his own voice. â€Å"Anything that tries to hurt you-â€Å" â€Å"Ask me anything else and I’ll do it,† Stefan said. The killer would have to shred him nerve from nerve, muscle from muscle, cell from cell to make him leave her. â€Å"Stefan, it’s only a dream,† Elena said desperately, new tears falling. â€Å"We can’t really touch, we can’t be together. It’s not allowed.† Stefan didn’t care. It didn’t seem like a dream. It felt real. And even in a dream he was not going to give up Elena, not for anyone. No force in heaven or hell could make him†¦ â€Å"Wrong, sport. Surprise!† said a new voice, a voice Stefan had never heard. He recognized it instinctively, though, as the voice of a killer. A hunter among hunters. And when he turned, he remembered what Vickie, poor Vickie, had said. He looks like the devil. If the devil was handsome and blond. He wore a threadbare raincoat, as Vickie had described. Dirty and tattered. He looked like any street person from any big city, except that he was so tall and his eyes were so clear and penetrating. Electric blue, like razor-frosted sky. His hair was almost white, standing straight up as if blown by a blast of chilly wind. His wide smile made Stefan feel sick. â€Å"Salvatore, I presume,† he said, scraping a bow. â€Å"And of course the beautiful Elena. The beautiful dead Elena. Come to join her, Stefan? You two were just meant to be together.† He looked young, older than Stefan, but still young. He wasn’t. â€Å"Stefan, leave now,† Elena whispered. â€Å"He can’t hurt me, but you’re different. He can make something happen that will follow you out of the dream.† Stefan’s arm stayed locked around her. â€Å"Bravo!† the man in the raincoat applauded, looking around as if to encourage an invisible audience. He staggered slightly, and if he’d been human, Stefan would have thought he was drunk. â€Å"Stefan, please,† Elena whispered. â€Å"It would be rude to leave before we’ve even been properly introduced,† the blond man said. Hands in coat pockets, he strode a step or two closer. â€Å"Don’t you want to know who I am?† Elena shook her head, not in negation but in defeat, and dropped it to Stefan’s shoulder. He cupped a hand around her hair, wanting to shield every part of her from this madman. â€Å"I want to know,† he said, looking at the blond man over her head. â€Å"How long?† said Stefan, unimpressed. â€Å"A long time†¦Ã¢â‚¬  The blond man’s gaze turned dreamy, as if looking back over the years. â€Å"I was tearing pretty white throats when your ancestors were building the Colosseum. I killed with Alexander’s army. I fought in the Trojan War. I’m old, Salvatore. I’m one of the Originals. In my earliest memories I carried a bronze ax.† Slowly, Stefan nodded. He’d heard of the Old Ones. They were whispered about among vampires, but no one Stefan had ever known had actually met one. Every vampire was made by another vampire, changed by the exchange of blood. But somewhere, back in time, had been the Originals, the ones who hadn’t been made. They were where the line of continuity stopped. No one knew how they’d gotten to be vampires themselves. But their Powers were legendary. â€Å"I helped bring the Roman Empire down,† the blond man continued dreamily. â€Å"They called us barbarians-they just didn’t understand! War, Salvatore! There’s nothing like it. Europe was exciting then. I decided to stick around the countryside and enjoy myself. Strange, you know, people never really seemed comfortable around me. They used to run or hold up crosses.† He shook his head. â€Å"But one woman came and asked my help. She was a maid in a baron’s household, and her little mistress was sick. Dying, she said. She wanted me to do something about it. And so†¦Ã¢â‚¬  The smile returned and broadened, getting wider and impossibly wider, â€Å"I did. She was a pretty little thing.† Stefan had turned his body to hold Elena away from the blond man, and now, for a moment, he turned his head away too. He should have known, should have guessed. And so it all came back to him. Vickie’s death, and Sue’s, were ultimately to be laid at his door. He had started the chain of events that ended here. â€Å"Katherine,† he said, lifting his head to look at the man. â€Å"You’re the vampire who changed Katherine.† â€Å"To save her life,† the blond man said, as if Stefan were stupid at learning a lesson. â€Å"Which your little sweetheart here took.† A name. Stefan was searching for a name in his mind, knowing that Katherine had told it to him, just as she must have described this man to him once. He could hear Katherine’s words in his mind: I woke in the middle of the night and I saw the man that Gudren, my maid, had brought. I was frightened. His name was Klaus and I’d heard the people in the village say he was evil †¦ â€Å"Klaus,† the blond man said mildly, as if agreeing with something. â€Å"That was what she called me, anyway. She came back to me after two little Italian boys jilted her. She’d done everything for them, changed them into vampires, given them eternal life, but they were ungrateful and threw her out. Very strange.† â€Å"What was even stranger was that she never got over you, Salvatore. You especially. She was always drawing unflattering comparisons between us. I tried to beat some sense into her, but it never really worked. Maybe I should have just killed her myself, I don’t know. But by then I’d gotten used to having her around. She never was the brightest. But she was good to look at, and she knew how to have fun. I showed her that, how to enjoy the killing. Eventually her brain turned a little, but so what? It wasn’t her brains I was keeping her for.† There was no longer any vestige of love for Katherine in Stefan’s heart, but he found he could still hate the man who had made her what she was in the end. â€Å"Me? Me, sport?† Klaus pointed to his own chest in unbelief. â€Å"You made Katherine into what she is right now, or rather your little girlfriend did. Right now, she’s dust. Worm’s meat. But your sweetie is just slightly beyond my reach at present. Vibrating on a higher plane, isn’t that what the mystics say, Elena? Why don’t you vibrate down here with the rest of us?† â€Å"If only I could,† whispered Elena, lifting her head and looking at him with hatred. â€Å"Oh, well. Meanwhile I’ve got your friends. Sue was such a sweet girl, I hear.† He licked his lips. â€Å"And Vickie was delectable. Delicate but full bodied, with a nice bouquet. More like a nineteen-year-old than seventeen.† Stefan lunged one step forward, but Elena caught him. â€Å"Stefan, don’t! This is his territory, and his mental powers are stronger than ours. He controls it.† â€Å"Precisely. This is my territory. Unreality.† Klaus grinned his staring psychotic grin again. â€Å"Where your wildest nightmares come true, free of charge. For instance,† he said, looking at Stefan, â€Å"how’d you like to see what your sweetheart really looks like right now? Without her makeup?† Elena made a soft sound, almost a moan. Stefan held her tighter. â€Å"It’s been how long since she died? About six months? Do you know what happens to a body once it’s been in the ground six months?† Klaus licked his lips again, like a dog. Now Stefan understood. Elena shivered, head bent, and tried to move away from him, but he locked his arms around her. â€Å"It’s all right,† he said to her softly. And to Klaus: â€Å"You’re forgetting yourself. I’m not a human who jumps at shadows and the sight of blood. I know about death, Klaus. It doesn’t frighten me.† â€Å"No, but does it thrill you?† Klaus’s voice dropped, low, intoxicating. â€Å"Isn’t it exciting, the stench, the rot, the fluids of decomposing flesh? Isn’t it a kick?† â€Å"Stefan, let me go. Please.† Elena was shaking, pushing at him with her hands, all the time keeping her head twisted away so he couldn’t see her face. Her voice sounded close to tears. â€Å"Please.† â€Å"The only Power you have here is the power of illusion,† Stefan said to Klaus. He held Elena to him, cheek pressed to her hair. He could feel the changes in the body he embraced. The hair under his cheek seemed to coarsen and Elena’s form to shrink on itself. â€Å"Stefan, I don’t want you to look at me-â€Å" Eyes on Klaus, Stefan gently pushed the coarsened white hair away and stroked the side of Elena’s face, ignoring the roughness against his fingertips. â€Å"But of course most of the time it just decomposes. What a way to go. You lose everything, skin, flesh, muscles, internal organs-all back into the ground†¦Ã¢â‚¬  The body in Stefan’s arms was dwindling. He shut his eyes and held tighter, hatred for Klaus burning inside him. An illusion, it was all an illusion†¦ â€Å"Stefan†¦Ã¢â‚¬  It was a dry whisper, faint as the scratch of paper blown down a sidewalk. It hung on the air a minute and then vanished, and Stefan found himself holding a pile of bones. â€Å"And finally it ends up like that, in over two hundred separate, easy-to-assemble pieces. Comes with its own handy-dandy carrying case†¦Ã¢â‚¬  On the far side of the circle of light there was a creaking sound. The white coffin there was opening by itself, the lid lifting. â€Å"Why don’t you do the honors, Salvatore? Go put Elena where she belongs.† Stefan had dropped to his knees, shaking, looking at the slender white bones in his hands. It was all an illusion-Klaus was merely controlling Bonnie’s trance and showing Stefan what he wanted Stefan to see. He hadn’t really hurt Elena, but the hot, protective fury inside Stefan wouldn’t recognize that. Carefully, Stefan laid the fragile bones on the ground and touched them once, gently. Then he looked up at Klaus, lips curled with contempt. â€Å"That is not Elena,† he said. â€Å"Of course it is. I’d recognize her anywhere.† Klaus spread his hands and declaimed, † ‘I knew a woman, lovely in her bones†¦Ã¢â‚¬â„¢ â€Å" â€Å"No.† Sweat was beading on Stefan’s forehead. He shut out Klaus’s voice and concentrated, fists clenched, muscles cracking with effort. It was like pushing a boulder uphill, fighting Klaus’s influence. But where they lay, the delicate bones began trembling, and a faint golden light shone around them. â€Å"‘A rag and a bone and a hank of hair†¦ the fool he called them his lady fair†¦ ‘ â€Å" The light was shimmering, dancing, linking the bones together. Warm and golden it folded about them, clothing them as they rose in the air. What stood there now was a featureless form of soft radiance. Sweat ran into Stefan’s eyes and he felt as if his lungs would burst. † ‘Clay lies still, but blood’s a rover†¦Ã¢â‚¬â„¢ â€Å" † ‘And the crack in the teacup opens a lane to the land of the dead . . .’ â€Å" â€Å"No.† Dizziness swept over Stefan as he felt the last surge of Power sigh out of him. A breath lifted the figure’s breast, and eyes blue as lapis lazuli opened. Elena smiled, and he felt the blaze of her love arc to meet him. â€Å"Stefan.† Her head was high, proud as any queen’s. Stefan turned to Klaus, who had stopped speaking and was glaring mutely. â€Å"This,† Stefan said distinctly, â€Å"is Elena. Not whatever empty shell she’s left behind in the ground. This is Elena, and nothing you do can ever touch her.† He held out his hand, and Elena took it and stepped to him. When they touched, he felt a jolt, and then felt her Powers flowing into him, sustaining him. They stood together, side by side, facing the blond man. Stefan had never felt as fiercely victorious in his life, or as strong. Klaus stared at them for perhaps twenty seconds and then went berserk. His face twisted in loathing. Stefan could feel waves of malignant Power battering against him and Elena, and he used all his strength to resist it. The maelstrom of dark fury was trying to tear them apart, howling through the room, destroying everything in its path. Candles snuffed out and flew into the air as if caught in a tornado. The dream was breaking up around them, shattering. Stefan clung to Elena’s other hand. The wind blew her hair, whipping it around her face. â€Å"Stefan!† She was shouting, trying to make herself heard. Then he heard her voice in his mind. â€Å"Stefan, listen to me! There is one thing you can do to stop him. You need a victim, Stefan-find one of his victims. Only a victim will know-â€Å" The noise level was unbearable, as if the very fabric of space and time was tearing. Stefan felt Elena’s hands ripped from his. With a cry of desperation, he reached out for her again, but he could feel nothing. He was already drained by the effort of fighting Klaus, and he couldn’t hold on to consciousness. The darkness took him spinning down with it. Bonnie had seen everything. It was strange, but once she stepped aside to let Stefan go to Elena, she seemed to lose physical presence in the dream. It was as if she were no longer a player but the stage the action was being played upon. She could watch, but she couldn’t do anything else. In the end, she’d been afraid. She wasn’t strong enough to hold the dream together, and the whole thing finally exploded, throwing her out of the trance, back into Stefan’s room. â€Å"Stefan? Are you okay?† He looked wildly around the room as if trying to find something. â€Å"Elena!† he said, and then he stopped, memory clearly returning. His face twisted. For one dreadful instant Bonnie thought he was going to cry, but he only shut his eyes and dropped his head into his hands. â€Å"Stefan?† â€Å"I lost her. I couldn’t hold on.† â€Å"I know.† Bonnie watched him a moment, then, gathering her courage, knelt in front of him, touching his shoulders. â€Å"I’m sorry.† His head lifted abruptly, his green eyes dry but so dilated they looked black. His nostrils were flared, his lips drawn back from his teeth. â€Å"Klaus!† He spat the name as if it were a curse. â€Å"Did you see him?† â€Å"Yes,† Bonnie said, pulling back. She gulped, her stomach churning. â€Å"He’s crazy, isn’t he, Stefan?† â€Å"Yes.† Stefan got up. â€Å"And he must be stopped.† â€Å"But how?† Since seeing Klaus, Bonnie was more frightened than ever, more frightened and less confident. â€Å"What could stop him, Stefan? I’ve never felt anything like that Power.† â€Å"But didn’t you-?† Stefan turned to her quickly. â€Å"Bonnie, didn’t you hear what Elena said at the end?† â€Å"No. What do you mean? I couldn’t hear anything; there was a slight hurricane going on at the time.† â€Å"Bonnie†¦Ã¢â‚¬  Stefan’s eyes went distant with speculation and he spoke as if to himself. â€Å"That means that he probably didn’t hear it either. So he doesn’t know, and he won’t try to stop us.† â€Å"From what? Stefan, what are you talking about?† â€Å"From finding a victim. Listen, Bonnie, Elena told me that if we can find a surviving victim of Klaus’s, we can find a way to stop him.† Bonnie was in completely over her head. â€Å"But†¦ why?† â€Å"Because vampires and their donors-their prey-share minds briefly while the blood is being exchanged. Sometimes the donor can learn things about the vampire that way. Not always, but occasionally. That’s what must have happened, and Elena knows it.† She expected Stefan to be deflated, but he wasn’t. â€Å"A vampire,† he said simply. â€Å"A human Klaus made into a vampire would qualify as a victim. As long as they’ve exchanged blood, they’ve touched minds.† â€Å"Oh. Oh. So†¦ if we can find a vampire he’s made†¦ but where?† â€Å"Maybe in Europe.† Stefan began to pace around the room, his eyes narrowed. â€Å"Klaus has a long history, and some of his vampires are bound to be there. I may have to go and look for one.† Bonnie was utterly dismayed. â€Å"But Stefan, you can’t leave us. You can’t!† Stefan stopped where he was, across the room, and stood very still. Then at last, he turned to face her. â€Å"I don’t want to,† he said quietly. â€Å"And we’ll try to think of another solution first-maybe we can get hold of Tyler again. I’ll wait a week, until next Saturday. But I may have to leave, Bonnie. You know that as well as I do.† There was a long, long silence between them. Bonnie fought the heat in her eyes, determined to be grown up and mature. She wasn’t a baby and she would prove that now, once and for all. She caught Stefan’s gaze and slowly nodded. How to cite The Vampire Diaries: Dark Reunion Chapter Twelve, Essay examples

Journal Of Natural Gas Science Engineering -Myassignmenthelp.Com

Question: Discuss About The Journal Of Natural Gas Science Engineering? Answer: Introduction As per the given situation it needs to be discerned tag the main indicative areas of risk are seen to be associated to General Liability Insurance coverage required for all contractors doing work for the school district to provide proof of at least $1,000,000.00. This is identified as the main risk which may result in unforeseen events in the future for non-maintenance of a facility. In the given case the delay in the pressure test at Joint Fork Elementary School posed a serious safety and healthcare risk to the existing students. In addition to this, the financial spotted with the further damage which was caused due to the negligence and delay of the over maintenance of the facility. The school did not follow to pressure test water distribution lines in the single boiler annually which left several scope future safety related issues to the students and other staff. Chance Frequency Almost Certain Heavy Damage to the Property 95% Likely Injury caused to the student from roof falling down, due to lack of annual maintenance 65% Possible Higher Financial Loss due to non-regular maintenance 35% Unlikely Students deciding to leave Joint Fork Elementary School or New applicants may be unwilling to join Joint Fork Elementary School 35% Rare Injury caused due to flooding of water from the boiler 5% Potential Consequences L6 L5 L4 L3 L2 Injury caused due to flooding of water from the boiler Students deciding to leave Joint Fork Elementary School or New applicants may be unwilling to join Joint Fork Elementary School Higher Financial Loss due to non-regular maintenance Injury caused to the student from roof falling down, due to lack of annual maintenance Heavy Damage to the Property Not Significant Minor Moderate Major Severe Likelihood of Risk Almost Certain High Medium Very High Very High Very High Likely High Medium High Very High Very High Possible Medium Low High High Very High Unlikely Low Low Medium High Medium Rare Low Low Low High Medium References Imperatore, N., Rispo, A., Testa, A., Bucci, L., management, G., De Palma, G. D., ... Castiglione, F. (2018). P276 Risk matrix model for prediction of one-year surgery in Crohns disease.Journal of Crohn's and Colitis,12(supplement_1), S240-S241. Lopes, D. F., Oliveira, M. D., e Costa, C. B. (2015). Occupational health and safety: Designing and building with MACBETH a value risk-matrix for evaluating health and safety risks. InJournal of Physics: Conference Series(Vol. 616, No. 1, p. 012010). IOP Publishing. Lopes, D. F., Oliveira, M. D., e Costa, C. B. (2015). Occupational health and safety: Designing and building with MACBETH a value risk-matrix for evaluating health and safety risks. InJournal of Physics: Conference Series(Vol. 616, No. 1, p. 012010). IOP Publishing. Lu, L., Liang, W., Zhang, L., Zhang, H., Lu, Z., Shan, J. (2015). A comprehensive risk evaluation method for natural gas pipelines by combining a risk matrix with a bow-tie model.Journal of Natural Gas Science and civil-engineering,25, 124-133.